What Are Three Characteristics of Art During the Baroque Period?

The Bizarre catamenia developed after the Renaissance and Mannerism art periods. It brought with it new perspectives about life, art, religion, and civilisation. The Baroque mode moved away from the severe elements depicted by the Protestant style. The Catholic Church supported the evolution of Baroque with its origins in Rome, Italia, and somewhen in European countries like northern Italy, France, Spain, Portugal, Republic of austria, southern Germany, and Russia. Below, we discuss this decorative and fanciful art period.

Table of Contents

• 1 Historical Foundations: When Was the Baroque Menstruation?
  • 1.1 The Reformation: The Catholic Church and Protestants
  • 1.2 Protestants versus Counter-Reformation Developments
  • ane.3 A Flawed Pearl: Definition of Baroque
• ii What Is Baroque Art?
  • 2.1 Baroque Art Characteristics and Techniques
• 3 Famous Bizarre Artists
  • 3.1 Baroque Paintings
  • 3.2 Baroque Architecture
  • iii.3 Bizarre Sculpture
• four Other Famous Bizarre Painters
  • 4.i Flemish Baroque Artists
  • iv.2 French Baroque Artists
  • 4.3 Spanish Bizarre Artists
  • 4.4 Dutch Baroque Artists
• five From Dark to Light: Baroque and Rococo
• 6 Oftentimes Asked Questions
  • vi.i What Is Baroque Art?
  • 6.2 What Characterized the Bizarre Period?
  • half-dozen.3 When Was the Baroque Menses?

Historical Foundations: When Was the Baroque Period?

The Baroque period began during the the tardily 1500s until the early 1700s, and was wide and varied throughout Europe. Its principles of extravagance, ornateness, and decorated details were portrayed in a range of cultural mediums like paintings, architecture, sculpture, literature, and music. It was a period of revival in fine art and culture with deep roots in the religious structures and powers of Western Europe at the time, which was the Cosmic Church building, and shortly referred to as the Roman Catholic Church.

Baroque art of whatever kind was inseparably linked to the Catholic Church. In fact, the Church informed what fine art should look like in order to have a desired result upon the people. It was fabricated to inspire grandeur and awe in the people who experienced it, and became a wholly new sensory experience.

The Catholic Church backed the Bizarre manner because it needed a new and enlivened approach to inspire and uplift the common people again, likewise equally to connect them with the Church and its majesty. Subsequently the turmoil of war and conflicts from the Reformation, this was a refreshing resurgence for the Church.

The driving forces behind this can exist considered propagandist, as information technology used the modes of visual representation and communication (painting, compages, sculpture) in gild to maintain the brownie and authority of the Catholic Church.

To sympathise the advancements that Baroque Art brought to art and culture, nosotros need to look at the historical foundations underpinning this period.

The Reformation: The Catholic Church and Protestants

The Baroque period developed from considerable political and religious upheaval in Europe, such every bit the Reformation between the Protestants and Catholic Church during the 1500s. Although the Reformation may accept started with many other religious figures before Martin Luther (a German monk, priest, and theologian), many scholarly sources point to him equally the catalyst of the Reformation, which set these events in motion.

Martin Luther is known for his publication entitled, "95 Theses", which he wrote in 1517 out of apprehension most diverse questionable deportment by the Catholic Church building. His apprehensions were primarily nearly the Church building (under Pope Leo X) selling indulgences, otherwise known equally plenary indulgences, to people to raise coin to build St. Peter's Basilica in the The holy see of Rome.

Indulgences were well-nigh like certificates guaranteeing people that they would get to Heaven and spend less fourth dimension in Purgatory if they offered donations to the Church, did a good deed, visited a certain place, or recited a prayer. In this case, the financial donations helped the Pope build the Basilica. Martin Luther did not agree with this type of procedure, as he believed no one needed to pay for their place in Sky. Furthermore, he had other deeper concerns about the Church and its opinion on various religious matters relating to the Catholic Sacraments.

Commencement of the text of the first printing of the German version of the 95 Theses in 1557;Martin Luther, Public domain, via Wikimedia Commons

During this time, Martin Luther taught Moral Theology at Wittenberg University and he was also a preacher. He heard about the information that indulgences were existence sold, and was fabricated aware of sermons beingness given nearly Wittenberg by another preacher called Johann Tetzel, a German language Dominican preacher who was also the Grand Commissioner for indulgences.

Martin Luther sent the "95 Theses" to the Archbishop of Mainz, who was Albert of Brandenburg at the time, to inform him about what was happening. He also posted information technology on church building doors in Wittenberg, which was a common practise to do. The availability of the press printing immune Martin Luther to make numerous copies of his publication. In fact, hundreds were printed in Federal republic of germany, besides every bit translated to German language from Latin. The document eventually landed in the hands of many respected intellectuals.

It was in 1521 when Martin Luther came to stiff disagreements with the Church, as he would not renounce his views when asked to. Because of this, he was denounced from the Church and considered a "notorious heretic" in the Edict of Worms, declared past Emperor Charles V.

Later the turn of events from the Reformation, which was believed to have ended either during the Peace of Augsburg in 1555 or during the Treaty of Westphalia in 1648, the Catholic Church formed a Counter-Reformation. This started during 1545 to 1563 with the Quango of Trent. The Council of Trent consisted of many meetings addressing various issues and procedures present within the Church and its systems.

Protestants versus Counter-Reformation Developments

The Counter-Reformation also sparked new developments in art and spirituality. The Protestants sought to do away with a lot of the Cosmic Church'due south religious imagery, agreeing that it was as well extravagant. Some Reformists violently destroyed the Catholic Church's religious imagery, known as iconoclasm. The Protestants believed religious images should but depict Jesus or images of the cross, in line with Protestant values.

As a response to the severe styles depicted in Protestantism, the Catholic Church believed religious imagery held a lot of ability. Furthermore, during the events of the Council of Trent information technology was decided what religious imagery would exist acceptable or not. The "pastoral office" of art was considered a primary purpose of religious imagery, meaning that artists could describe the stories of Christ's suffering, crucifixion, and many of the saints related to Biblical stories. The council members made strict rules that all imagery could not contain whatever idolatrous innuendos.

What followed were new creative styles and attitudes depicted in religious imagery, better known every bit the Baroque period.

A Flawed Pearl: Definition of Baroque

Past understanding the meaning of the term "Baroque", nosotros will proceeds more context nigh what Baroque fine art stood for and was. The art adult during this time was the visual result and achievement borne from deeper historical, social, and political issues in Europe. Information technology was an age of discovery undoubtedly, introducing new concepts and techniques within the art world, and hence, an achievement.

The term baroque has been understood inside diverse contexts. It is a French word, but its root origin is traced to the Portuguese barocco, which means "a flawed pearl". This term was related to jewelry every bit early every bit the 1500s onwards. It was used to draw the shapes of real pearls.

There are other definitions of the term that chronicle to philosophy, specifically logic, or Aristotelian Logic. As a Latin term, baroco, information technology was used to assist with remembering syllogisms, which were used in deductive reasoning formulas. Several scholars and philosophers applied this discussion beyond the school of logic, for instance, Michel de Montaigne defined it every bit "baroque and uselessly complicated".

La Visite à la grand-mère('Visit to Grandmother', c. 1645-1648) by Louis Le Nain;Louis Le Nain, Public domain, via Wikimedia Commons

Jean-Jacques Rousseau, a philosopher and musician in the 1700s, described Baroque music as being disharmonious in the Dictionnaire de musique ('Dictionary of music', 1768), stating, "Baroque music is that in which the harmony is confused, overcharged with modulations and noise. The song is hard and unnatural, the intonation difficult, and the movement constrained. It would seem that this term comes from the baroco of the Logicians".

Heinrich Wölfflin, an art historian from Switzerland, described "bizarre" within the context of being an fine art style in his publication Renaissance und Barock (1888). In whichever style this term has been defined over the centuries, the underlying essence certainly conveys a sense of imperfection, confusion, and maybe even disorder and beauty.

This is evident in the Baroque style, whether it be paintings, sculptures, architecture, music, or literature. Below, we take a closer look at what Baroque Art is.

What Is Baroque Art?

Baroque Fine art was pioneered by noteworthy painters, architects, and sculptors who brought the visual power of fine art to the masses. There were many important figures for the Baroque catamenia. For example, artists similar Caravaggio, who portrayed strong realism in his paintings, the Carracci brothers and their Bolognese Schoolhouse, which sought to move away from the fine art of Mannerism (the art period after the Renaissance), and Giacomo Della Porta, an Italian architect. We will await at these artists and their contributions to the Baroque style in greater particular below.

Baroque Art Characteristics and Techniques

What set the Baroque flow apart from the Renaissance and subsequent Mannerism periods was its focus on more liveliness in its subject thing and a stark realism. Some sources also describe it as focusing on the moment the event is taking place, or otherwise the "action" or drama. The subject matter was of religious and biblical narratives, as instructed by the Cosmic Church. These would range between images of the Virgin Mary, the diverse Saints, and various stories from the Bible.

Furthermore, Baroque paintings were characterized by the use of vibrant colors practical with swirling and broad brushstrokes, which indicated movement and emotional intensity. This painting style focused on depicting big expanses of calorie-free and openness, which was also seen in architecture, such every bit the churches with expansive areas within the center of the building, capped by cupolas (domes or foursquare-like crowning structures over a roof) above for more lite to enter the edifice.

Chiaroscuro

Chiaroscuro is an Italian term that ways "low-cal-dark". It focuses on defining contrasts in painting. This technique started in the Renaissance period, just it was the way Caravaggio utilized it that it became a popular feature of the Baroque period. With the strong emphasis on dark and light within his compositions, the viewer almost becomes a function of the event portrayed in the painting.

An example includes Caravaggio'sThe Calling of St. Matthew (1599 – 1600), where we run into the right finger of Christ pointing towards St. Matthew. The light and shadow on the wall from the incoming sunlight is straight echoed aslope Christ'south pointing finger.

The Calling of Saint Matthew(1599-1600) by Caravaggio;Caravaggio, Public domain, via Wikimedia Eatables

Tenebrism

Tenebrism was another technique used by several Baroque painters, popularized and believed to have started by Caravaggio. Although it is like chiaroscuro, it mainly focuses on the darker areas of a painting. The term originates from the Italian word, tenebroso, which in plow originates from the Latin, tenebra, meaning "darkness". Other words related to this terms are gloomy and mysterious. It sought to create what is referred to as the "spotlight" issue, likewise called "dramatic illumination".

Quadro Riportato

Quadro Riportato means "carried picture" in Italian, and it was used every bit a technique past which the artist would pigment what appeared every bit a frame around a painting, which would consist of a series of paintings displayed as a fresco. This technique was used past one of the forerunners of the Bizarre period, Annibale Carracci. Information technology is evident in The Loves of the Gods (1597 – 1600) fresco on the Farnese Palace's ceiling.

Carracci'due south Triumph of Bacchus and Ariadnedepicted in the eye of The Loves of the Gods (1597-1600) fresco on the Farnese Palace's ceiling; Annibale Carracci, Public domain, via Wikimedia Commons

Illusionism: Trompe l'Oeil and Quadratura

The idea of "opening up" spaces within paintings was a large part of Bizarre Fine art, as this likewise gave the sense of it existence an optical illusion with the painted image appeared iii-dimensional. Creating this iii-dimensionality was known as trompe l'oeil, which ways "deceive the eye" in French.

Nosotros tin come across this on many of the frescos in churches and paintings throughout the Bizarre period. However, it did non start during this art period and can instead be institute dating back equally early on every bit the 1800s. In fact, this technique was used every bit early on equally some Greek landscape paintings as well as far into time to come with artists similar Salvador Dali, who utilized this technique in his Surrealist paintings.

Baroque artists employed some other perspective technique calledquadratura, which depicts images that appear like parts of existent architecture and are intentionally painted as continuations of the real architecture. This technique used theories based on architectural perspective to utilize it accurately.

Famous Bizarre Artists

Below, we look at only a scattering of well-known Baroque artists, including prominent painters, architects and their buildings, besides as sculptors and their sculptures. All the same, this does not exclude the many other masterpieces created during the Baroque period and what they contributed to this menstruum of art and culture.

Baroque Paintings

Baroque paintings were institute far and wide around Europe, and we will see paintings from Italy, France, Spain, Flemish region, Holland, England, and Frg. Many artists had other creative attributes that fabricated them not only painters, but sculptors, draftsmen, drawers, and architects, amidst others.

Nosotros will see that there is a lot of crossover betwixt many of these painters, as each of them drew inspiration from many sources during this fourth dimension, including the styles of prominent masters from the Renaissance menstruum similar Michelangelo, Titian, and Raphael.

Annibale Carracci (1560 – 1609)

Annibale Carracci pioneered Baroque painting along with his brother, Agostino Carracci (1557 – 1602) and their cousin, Ludovico Carracci (1555 – 1619). They are well known for starting the Bolognese School of Art (1590 – 1630), initially named Accademia dei Desiderosi, which they later changed to Accademia degli Incamminati ("Academy of the Progressives").

This was a turning indicate for fine art in Italy equally information technology moved away from the styles called Realism and Mannerism. Annibale Carracci sought to depict elements of Classicism and Naturalism in his artworks. He drew from the High Renaissance's stylistic theories of perspective and proportion to enhance the artful and naturalistic appeal. He is remembered as having a realistic style with large brushstrokes.

His artworks had a lively effect and were painted in life-size and full-length in order to create a deeper emotional connection with the viewer. Additionally, he used the technique of illusion, every bit his paintings almost invited the viewer to become a part of the subject field matter with its realistic portrayals, oft of religious figures and landscapes. Examples include Piet à (1585) and Resurrection of Christ (1593).

Pietà (1585) by Carracci;Annibale Carracci, Public domain, via Wikimedia Commons

Michelangelo Merisi da Caravaggio (1571 – 1610)

Caravaggio was a revolutionary artist of his fourth dimension, and lived a more conflicted lifestyle, being involved in numerous crimes. He started his artistic preparation in Mannerism in Rome, just he eventually moved away from this style and adopted a more than naturalistic arroyo. He became a popular artist due to his innovative manner of painting and use of subject matter.

Caravaggio painted from the earth around him and would ofttimes comprise everyday imagery with the sacred figures. In a way, he bridged a gap between the normalcy of life with the sacred. He made saints human being, and some sources refer to the concept of "spiritual populism", in which he made sacred, religious art available to the ordinary man on the street.

The divine was not a far off ideal of perfection anymore, which was in line with what the Catholic Church wanted from art during the Counter-Reformation.

Many of the great examples of Caravaggio paintings include The Calling of Saint Matthew (1600), The Martyrdom of Saint Matthew (1600), Crucifixion of Saint Peter (1601), Death of the Virgin (1606), and the Flagellation of Christ (1607), among many others. You may find Caravaggio's radical realism in his painting, Decease of the Virgin (1606), which was criticized for its portrayal of Mother Mary. The dead virgin in this painting is Mother Mary, simply the creative person depicted her lifeless body equally just some other woman – one might remember that information technology is just another adult female who died.

Morte della Vergine('Death of a Virgin', 1606) past Caravaggio; Caravaggio, Public domain, via Wikimedia Commons

Caravaggio emphasizes the naturalness of this composition with diverse elements, such as the simplicity of her clothing, her hands and anxiety appearing bloated, and the simplicity of the scene and men effectually her body mourning her. The just indication of her being a holy figure is the thin halo around her head. Caravaggio opens the whole scene to the viewer in the forefront, with the various mourners seemingly creating a backdrop in the background, thus forcing the viewer to exist in that location with the dead trunk of Mother Mary.

Additionally, we see the use of stark contrast of dark and light in many of Caravaggio'southward paintings. His employ of the chiaroscuro technique became a signature characteristic of his artworks. This also influenced many other artists around Europe, and became a phenomenon called Carravagism.

Artemisia Gentileschi (1593 – 1656)

Artemisia Gentileschi was a prominent female person creative person during the Baroque period. She is remembered for her apply of techniques like chiaroscuro, a shut second to Caravaggio. She as well portrayed many women from biblical stories, scenes of rape and various power struggles, too every bit emphasizing the role of a adult female within a man's world, equally the art world was mainly dominated by men at the fourth dimension. Her scenes depicted the realism we so often run across from many Baroque masters.

Some of her popular works include Susanna and the Elders (1610), Danae (1612), and Judith Slaying Holofernes (c. 1620), which is a dynamic artwork and one also done by Caravaggio. In Gentileschi'south version of Judith Slaying Holofernes (c. 1620) we will meet the creative person focusing more on the women slaying the male effigy, who is decorated struggling while the two pin him downwards and start beheading him.

Giuditta che decapita Oloferne (' Judith Beheading Holofernes', 1611-1612) by Gentileschi;Artemisia Gentileschi, Public domain, via Wikimedia Commons

This composition takes identify in the heat of the moment, so to say, as nosotros likewise discover how the blood sprays out of the neck, making the whole scene all the more than emotionally intense and severe. She too used darker areas of color with the chiaroscuro technique in improver to a deep palette of colors.

Other aspects of this composition bespeak to the power Gentileschi displayed as an artist herself, existence able to portray her subject affair the way she wanted to. The fierce brandish of power and death in this painting too points to the underlying motivation for painting a scene like this, as she was the victim of sexual assault as a young woman.

Baroque Architecture

Baroque architecture is characterized past ornate decorations, loftier ceilings decorated with frescos, and lavish ornamentation to draw viewers' attention and emotional reactions of awe. It is important to note the role of the Jesuits in Bizarre architecture.

The Jesuits were a religious lodge at the time of the Counter-Reformation and sought to create a new type of compages to inspire the people and depict the majesty of the Cosmic Church.

Giacomo Della Porta (1532 – 1602)

Bizarre architecture is believed to accept started with the Church of the Ges ù (1584) and the pioneering style of its façade, which was designed by Giacomo Della Porta, a sculptor and builder in Italy. Giacomo Della Porta was an important architect for the Baroque menstruum. He learnt from other swell masters of art like Michelangelo, and was instructed by Giacomo Barozzi da Vignola (1507 – 1573), a leading Mannerist architect in Italy.

Façade of Chiesa del Gesùin Rome, Italy, designed by Della Porta; I, Alejo2083, CC BY-SA 3.0, via Wikimedia Eatables

The Church of the Ges ùwas constructed for the Order of Jesus, also called the Jesuits. Della Porta worked aslope Vignola on this building, and although the appearance of the façade was non as elaborate every bit the after Baroque buildings – we tin can run into it appears minimally decorated overall with only a concentration of architectural adornments near the archway – it set the tone for the beginnings of Baroque compages.

Bizarre Sculpture

There were many great sculptors during the Baroque period, simply there was one artist who stood out amidst everyone else and laid the foundations of what sculpture was. Bizarre sculpture was made, equally ordered by the Cosmic Church, to create awe and inspire the common people.

Baroque sculpture was characterized past various features, namely its interactivity, as viewers were able to walk around the whole sculpture and view its completeness, which made its message more impactful. It was likewise used in churches to accentuate architectural structures. Furthermore, sculptors were then skilled in their art they created works with extensive attention to detail, from gender to the diaphanous nature of the textile on the sculpted figure.

Giovanni Lorenzo Bernini (1598 – 1680)

This brings us to Giovanni Lorenzo Bernini, an architect and sculptor in Italy. He was predominantly a sculptor and has been compared past some scholars to possess the same importance that Shakespeare had for the world of theater and literature.

Bernini was considered a prodigy during his early years, with many comparing him to Michelangelo.

Bernini's sculptures depicted the moment of action taking identify, which added to the intensity of the work upon viewing it. His subject affair consisted of biblical and mythological scenes and figures, and nosotros can see examples of this in his sculptures similar Aeneas, Anchises, and Ascanius (1619), The Rape of Proserpina (1621 – 1622), Apollo and Daphne(1622 – 1625), and David (1623 – 1624).

Apollo and Daphne (1622-1625) by Bernini; Gian Lorenzo Bernini, CC By-SA 4.0, via Wikimedia Commons

Ane of Bernini'southward greatest sculptures to date is the Ecstasy of Saint Teresa (1647 – 1652). Made of pure marble, it is housed in the Cornaro Chapel in Rome. The sculpture depicts Saint Teresa of Avila lying half-witting on a deject with an angel. The affections is slightly elevated, next to her body on her right, and just about to pierce her heart with a spear. The marble is carved in such a mode that makes the Saint announced as light as a feather floating on the deject, which highlights the story Bernini is portraying here.

Here, we see Saint Teresa experiencing a deep moment of ecstasy. It appears spiritual in nature, but Bernini also focused on the physical and sensual effects this experience gave the Saint. We encounter this in the way her torso lies besides as her facial expression. Behind the key figures, we too notice what appears similar rays of low-cal shining down on the moment of pure bliss.

When we look at the whole composition, we volition besides observe the central figures are within a columned structure with two theater boxes on either side of the main subject of the Saint and Affections. The theater boxes are direct reverse the other and contain sculptures of the Cornaro family.

Trasfigurazione di santa Teresa('Ecstasy of St. Teresa', 1652) past Bernini;Gian Lorenzo Bernini, CC BY-SA 2.0, via Wikimedia Commons

Other Famous Baroque Painters

Below are other famous Baroque artists worth noting, especially artists that came from different European countries other than Italia.

Flemish Bizarre Artists

Peter Paul Rubens (1577 – 1640) was an influential Flemish artist that created artworks with religious themes, including mythological scenes. His work varied from landscapes, portraits, altarpieces, and paintings. This Baroque period artist was known as giving northern art, specifically painting, a new perspective. He was influenced by artists like Titian and incorporated a diversity of male and female figures in the nude in his paintings.

Furthermore, his paintings depicted strong emotional vibrancy and are often described every bit exuberant in style.

Some of his famous artworks include The Elevation of the Cross (1611), Massacre of the Innocents (1612), Prometheus Bound (1618), The Adoration of the Magi (1624), Venus and Adonis (1635), and The 3 Graces(1639), and the Return of the Peasants (1640), which depicts Ruben'southward beloved of landscapes.

The Three Graces (c. 1635) by Rubens; Peter Paul Rubens, Public domain, via Wikimedia Commons

French Baroque Artists

Georges de La Tour (1593 – 1652) created artworks using strong chiaroscuro techniques like to Caravaggio. Nevertheless, what made La Bout'south paintings different was his simplified approach and rendering of figures. He is known for depicting scenes that announced past candlelight.

Where Caravaggio's paintings depict emotional intensity, La Tour'southward paintings draw an emotional stillness. His subject affair was of religious figures and narratives. Examples of his artworks include The Penitent Magdalene (c. 1640), Joseph the Carpenter (1642), Nascency (1644), and The Newborn Christ (1645).

The Penitent Magdalene (c. 1640) by de la Bout;Georges de La Tour, Public domain, via Wikimedia Eatables

Spanish Bizarre Artists

Diego Rodríquez de Silva y Velázquez (1599 – 1660) was a Spanish Bizarre flow artist who also painted for King Philip IV'due south court, which led him to paint numerous portraits of court officials too as of the Spanish royal family. He was well-known as one of the pioneering portraiture artists of his fourth dimension. Many sources as well refer to him as the "the painter's painter" due to his extensive attention to item in his paintings. He oft painted everyday scenes of people and nature.

Some of his famous artworks include The Supper at Emmaus (1618 – 1623), The Give up of Breda (1635), Portrait of Juan de Pareja (1650), Portrait of Innocent X (1650), and Las Meninas (1656), the latter of which is i of the most famous artworks past the creative person due to the strategic rendering of compositional elements similar space, color, perspective, and line.

It depicts Infanta Margarita, who was Male monarch Philip Iv's girl. She is surrounded by female attendants with her in the center richly clad every bit royalty. We can too discover the artist depicting himself in the groundwork while he is in the process of painting the scene.

Las Meninas ('The Maids of Honour', 1656-1657) by Velázquez;Diego Velázquez, Public domain, via Wikimedia Commons

Dutch Baroque Artists

Rembrandt Harmenszoon van Rijn (1606 – 1669) was one of the most influential and well-known Dutch painters, and to this day he is remembered as an important artist. This Dutch Baroque menstruation artist produced many great artworks during his career, including the masterpiece, The Dark Sentry (1642).

Van Rijn created different scenes of everyday life, landscapes, too as religious and mythological discipline thing. Rembrandt's paintings are well-known to accept captured the affluence during the Dutch Golden Age, the flow during which he painted.

His paintings showed varied emotional states including a keen eye for detail while painting his scenes. He likewise utilized techniques of light and dark contrasts (chiaroscuro) and innovative ways of handling his paint and brushstrokes, ofttimes using different textures.

Some of his famous paintings includeThe Anatomy Lesson of Dr. Nicholas Tulp (1632), Man in Oriental Costume(1632), The Dark Lookout (1642), Slaughtered Ox (1655), Jacob Blessing the Sons of Joseph (1656), andSelf-Portrait with Two Circles (1660).

The Night Sentry (1642) by Rembrandt;Rembrandt, Public domain, via Wikimedia Commons

From Night to Low-cal: Baroque and Rococo

The Baroque period, which started in Rome, eventually evolved into what was called the Rococo period, which started effectually 1702 until 1780 in France. The Rococo period was a fourth dimension during which art portrayed a sense of lightness as opposed to the darker portrayals nosotros see from the Baroque period. What both art movements shared was the dramatic flair in their artworks and use of ornate decorations, seen in paintings, sculpture, and architecture.

Bizarre continues to live on in the time to come with many Baroque flow artists influencing other artists from the Rococo menses, as well as subsequent fine art movements like Romanticism, Impressionism, and Post-Impressionism. Contemporary artists and architects like I.M. Pei and Frank Gehry take likewise used inspiration from Bernini's structures.

Baroque fine art was an innovative art period led by many great artists of its time who sought to motion beyond the boundaries of what art was before. With a foundation in depicting the realness and naturalness of life and its people in combination with the sacred imagery of biblical and mythological figures, information technology brought the idealistic downwards to globe.

Y'all tin can also read our baroque fine art facts webstory.

Frequently Asked Questions

What Is Bizarre Fine art?

Bizarre art started during the late 1500s into the early 1700s. Information technology was an fine art period during the Counter-Reformation when the Catholic Church was in opposition to the Protestants, who had started the Reformation. As role of the reaction, the Cosmic Church building wanted art to inspire the masses and leave them in awe of the magnificence and beauty of non only the Church, merely the ability and majesty of the Biblical and mythological narratives portrayed through paintings, sculpture, and architecture.

What Characterized the Baroque Period?

The Baroque period was characterized by using embellished and ornate decorations in paintings, sculpture, and architecture. Baroque artists portrayed a heightened sense of emotion in their paintings – often a scene when the most activity would accept identify. Furthermore, the Baroque period can be known to be theatrical while remaining true to the styles of classicism and naturalism. Many artists used new techniques to emphasize emotion, such aschiaroscuro, which explored light and dark contrasts.

When Was the Baroque Period?

The Baroque menstruation started as an art movement after the Renaissance and Mannerism art periods, and was followed by the Rococo art movement. Many artists during the Baroque menstruation turned away from the styles in Mannerism and were influenced past leading artists from the Renaissance period, frequently using the styles from the Loftier Renaissance to create what was known equally Baroque art.

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Source: https://artincontext.org/baroque-art/

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